Wether we admit it or not we all derive a large portion of our identity from what we surround ourselves with. Our clothes, homes, cars, cellphone, movies we watch and especially our musical taste. All these factors pertain to how we want people to see us. Though the focus is on how others will view us, the true reality of this self-conscious preoccupation is much more about how we see ourselves. This self-consciousness varies from person to person and fluctuates on an individual basis as we age and undergo change. The following is a short narrative about my own tastes in music and how I've related to them in the realm of self-perception.
One year when I was around the age of eight or nine my dad decided to buy mom a CD player for her birthday. CD players had recently become mainstream and affordable for the general population. My father unfortunately made the mistake of confiding in me the nature of his gift as he wanted it to be a surprise. Since I was a child, and thus a bit of a dolt I went to my mother a few days before her birthday and asked her what she wanted as a gift. I then, in my mind, cryptically asked her if she would maybe want a CD player. My dad and older sister were standing nearby and responded quite foolishly by getting all upset and saying I had ruined the surprise. To this day I believe they share the blame by removing all doubt with their reaction.
Jump forward a week and my mom has her CD player (It had a really cool blue indiglo display) and now we needed some CD's to play in it. At the time Mcdonalds had gotten on board the new 'compact disc' craze sweeping the continent and had for sale for a few mini albums of re-released work from some fairly big names in the music industry. We ended up with a couple of them, one of which was a pretty decent mini compilation of Elton John classics. The other CD was from none other than the 'lion of love' himself, Michael Bolton. One of the tracks "How can we be lovers if we can't friends"(I think that was the title) had this great little guitar hook that caught my ear just the right way. Since my personal selection of music was nil at the time this became my favorite song despite its sappiness. I loved how it sounded, not it's message. This combined with my lack of knowledge that Mr. Boltons fan base was largely comprised of middle aged women made for an interesting encounter with a couple of my friends.
It was a couple of weeks after my mothers birthday when I had some friends over. I wanted to show off the cool blue indigo display and to share with them the joy of Mr. Bolton's musical genius. Unfortunately when I pressed the play button and my favorite guitar hook played they did not react with my enthusiasm. In fact I would say 'deapan' is an apt description for their faces. Not only did I feel disappointed, but also embarrassed. I stopped listening to Mr.Bolton after that. I became unwittingly self-conscious of the music I listened too and increasingly cautious of what I revealed to others about my interests. I began to learn that caring about something could make you vulnerable and so I began the construction of my mask. I even wrote a lyric that expresses these sentiments.
On this I wish to dwell no more
for I fell the pain I felt before
All this pain and shame and guilt
the masks I wear and the walls I've built
The first piece of music I ever personally owned was a tape of 'Collective soul' (The album with the blue cover) I heard some older teens playing it while I was at camp the pervious summer and its all I asked for my birthday. Another year it was 2unlimited, and I was allowed to listen to them until one day when my dad walked by as I was listening to the song 'workaholic' and Ray Slijngaard dropped an 'F' bomb. 2unlimited still seems to be pretty popular with anyone who is playing sports in an arena and wants to get jacked up. It turns out their Dutch, but for some reason I always pictured them as black.
As I entered junior high and the lines of social hierarchy were redrawn I found myself growing incearsingly self conscious. As defense against attack, I, amongst many others developed highly effective defense mechanisms. The most common and powerful was without a doubt indifference. If you cared about nothing or no one than you were invulnerable. If someone found a whole in your armor and tried to invade the last line of defense was more often than not "I don't give a sh!t" or "who cares!" As far as musically safe choices go Hard rock, Metal, and gangster Rap were the top options. The negative messages and vulgarity went well with a "I don't give a Sh!t" attitude, as did the aggressive, sexual and violent behavior they portrayed. Metallica, Dr. Dre, Snoop dog and Eminem seemed like the most common favorite artists of so many people I knew. My personnel favorite was Rage against the Machine. They had the aggression and anger I liked, but they also had a very political message and associating myself with made me feel not only badass, but smart too.
That era was largely intertwined with the high school years where I discovered "The Beastie Boys". My first album of theirs was 'Paul's Boutique' and I loved them because the older sister of a friend of mine introduced me to their music and it seemed like lot's of other senior students liked them as well(Mostly 'fight for your right' and 'girls') Which it turns out later in the book with their anthology that those songs had been an ironic joke to make fun of frat boys that went way to far. The popularity of red backwards NY hats came and went with the infamous 'Limp Bizkit'.
It was during grade ten that I had an experience that was probably the first fracture in my musical mask. I was talking with my lifelong friend Connor Cardinal and he had just criticized a piece of music I liked and impulsively I agreed with his criticism out of a need to be accepted, a fear of rejection. He new my agreement did not jive with my true tastes and he said something that has stuck with me since. He said,
"Have some confidence in your musical taste man."
I felt rebuked, but it rang so true that I didn't mind the sting of his statement. If that was the crack then my next close friendship was the Frac (oilfield reference.)
Cade and I had known of each other most of our lives, but we had never really hung out until the summer of grade ten. We both had just started to experiment with drugs and we spent many a night getting stoned and listening to music. One of the really cool things about Cade is his intense hyperpassion for all things musical. He's a techy, a gear junky, a talented player/songwriter and has a vast appetite with a broad palette for the sonic. His family is partially to blame for this. His father an accomplished musician, his mother a talented vocalist, and three sisters (two older) all of which who have their own musical tastes which spill over into his. As I got to know him I realized he did not seem to limit his musical taste according to what people thought of him.
After indulging in some herbal auditory enhancement I was exposed to a smorgasbord of new musical experiences. During this period in my life I found new artists that shattered my self-conscious shell and opened me up to a freedom in musical taste that made me feel like I had been missing out on a big slice of life. QOTSA, Muse, Fiona Apple, Big Wreck, At the drive-in, and Jeff Buckley to name a few.
I also let go of other peoples hang ups when it came to bands that were popular to hate. It still takes a bit of a push to play 'sixpence none the richer's hit "kiss me"' when others are around, but I do it anyways. I still drive to RATM, but I also enjoy Brittany Spears. I like Nickleback, and if you feel so inclined to make a negative comment, know that deep down I really do "give a sh!t". All the metal and anger in the world can't change that your words cut deep. A mask might hide a scar, but it doesn't stop the wound from happening. I am left with the choice to either focus on avoiding and hiding from those painful moments or listen to what I want and take the hit(real or imagined).
suggested song: anything you feel self-conscious listening to.
Suggestion for suggested song: Play with the windows rolled down and don't avoid eye contact with anyone.